Alice Delsenne & Rebecca Fabulatrice

COUTUME{STUDIO} unveiled the world of Alice Delsenne and Rébecca Plisson, where abstract calligraphies and ribboned sculptures transform matter and everyday life into poetry and immersive emotion.

The exhibition showcased the work of Alice Delsenne and Rébecca Plisson, where Alice's abstract and meditative lines engaged in dialogue with Rébecca's ribboned sculptures, crafted from recycled materials such as unsold lingerie straps. This spatial arrangement combined contemporary art, sculpture, abstract drawing, artistic recycling, and slow living.

The scenography by CoutumeStudio highlights the material, the artistic gesture, the detail, and the texture of each creation. Viewers are invited to experience an immersive, contemplative, and sensory journey, exploring memory, emotion, creativity, and the intimacy of objects.

Each artwork becomes a universal, poetic, and tactile language that touches memories, intuitions, and imagination. The exhibition illustrates artistic innovation, contemporary poetry, and ecological commitment, offering a unique encounter between matter, gesture, and emotion in contemporary art...

Alice Delsenne uses techniques that allow the brush to trace abstract curves, whose calligraphy brings us closer to our most distant origins.
In a constant search for authenticity in both her creation and her daily life, Alice Delsenne's vision is holistic. She refers to Wabi philosophy and "slow-living," respecting imperfection and loving detail.
Reacting to a consumerist and frantic world, her works invite contemplation and serenity. Her work celebrates human connections and questions our perception, to be understood through a drawing, a universal language; thus questioning our memories, our intuitions, and our emotions...

Rébecca Plisson creates sculptures by wrapping them with bra straps from unsold stock of major lingerie brands.
In an ecological approach to creation, Rébecca Plisson thus performs a triple recycling: recycling of straps, recycling of objects, and recycling of desire. The objects used, often forgotten, rejected, out of style, are familiar to us because they are archetypal or everyday. Wrapped, sheathed, costumed, carrying a memory, they then return to us, lovely and splendid.
Thus, before this soft, intimate material, we are all complicit.
Fabulism or how to wrap reality...